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Studien über Orchesterstellen für Fagott Vol.IIII 

18,00 EUR

( inkl. 5% MWSt )

Inhalt / Content:
1. Studie über die Orchestersuite Nr. 2 von Bach
2. Studie über die Sinfonie Nr. 40 von Mozart
3. Studie über die Sinfonie Nr. 9 von Beethoven
4. Studie über die Sinfonie Nr. 39 von Mozart
5. Studie über die Sinfonie Nr. 6 Pastorale von Beethoven
6. Studie über Peer Gynt von Grieg
7. Studie über Haydn-Variationen von Brahms
8. Studie Nr. 2 über Der Nussknacker von Tschaikowsky
9. Studie Rigoletto von Verdi
10. Studie über die Sinfonie Nr. 9 von Dvorak
11. Studie über Salome von Strauss
12. Studie über Bilder einer Ausstellung von Mussorgsky
13. Studie über die Sinfonie Nr. 9 von Mahler
14. Studie über Pini di Roma von Respighi
15. Studie über die Sinfonie Nr. 1 von Sibelius
16. Studie über die Symphonischen Tänze von Rachmaninoff
17. Studie über Der Großvater von Prokofieff
18. Studie über Romeo und Julia von Prokofieff
19. Studie über die Sinfonie Nr. 5 von Schostakowitsch
20. Studie über die Sinfonie Nr. 9 von Schostakowitsch

Empfehlungen / Recommendations:

These studies will be very interesting for every student wanting
to deepen and vary his work on the orchestral excerpts.
I recommend them to every bassoon player.
Victor Dutot, president of French Association basson

If you are looking for a fresh and entertaining method that
effectively deals with difficult audition pieces, this is it.
Pascal Gallois, bassoon soloist, member of the Ensemble Intercontemporain

This wonderful set of 20 Orchestral Studies features a very
clever and creative approach to learning these famous excerpts.
They can be studied in a innovative and enjoyable way rather
than simple and traditional repetition.
Daniel Matsukawa, principal bassoon, The Philadelphia Orchestra

I find these studies very practical and innovative. They instantly
found its place as a major element in my coaching of orchestral
Daniel Mazaki, principal bassoon, Israel Philarmonic Orchestra

These studies offer an enjoyable way to work on several of the
most important orchestral bassoon parts and excerpts found on
virtually every orchestral audition.
Frank Morelli, member of the Orpheus Chamber Orchestra and the Windscape

The studies are very good and look like an interesting
alternative to whatever is already written .
Gustavo Nuñez, principal bassoon, Royal Concertgebouw Orchestra

Mastering the most often-found excerpts is essential, and these
etudes are a valuable entry into the most challenging points of
each excerpt, giving a natural and very practical means to solve
the complexities of each.
Jesse Read, bassoon soloist and conductor

"20 Studies on Essential Orchestra excerpts" for bassoonists are
very fine and skilled compositions indeed. I predict they will hold
the attention of players because of their musicality and, happily,
they are just the right length.
Christopher Weait, bassoonist, composer, conductor and publisher

The 20 Studies cover many of the excerpts demanded at auditions
(Probespiele) and to my knowledge author's approach to these famous
bassoon solos is quite unique. Anyone working for a place in an
orchestra should welcome these as they will provide an excellent way
to improve the necessary techniques for each solo without endlessly
playing it as written by the composer. This would mean that on
returning to the original, the problems will have disappeared. What is
more, each study is a good solo piece and would be perfect as an
encore after a recital.
Roger Birnstingl


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